2018 was another year full of outrageous distractions, the misconfigurations and abuses of the public sphere relentlessly encroaching on whatever space one tried to carve out for thinking, experiencing beauty or getting some rest. A year to test our commitments, … [read more]
This year’s best music list comes in the middle of the Great Deep Freeze of 2017, where it’s apparently colder in Canada than at the North Pole. Winter has come. This time, I have no summary words of political, cultural … [read more]
As 2016 plowed on, it revealed itself as an annus horribilis. Many of the world’s temporarily dormant or subdued evils really came alive this year, and there’s no need to enumerate them here. Music lost more than a few important … [read more]
It has become an annual tradition on this blog, a chore, and — increasingly — an unwelcome reminder of how infrequently I blog these days. Life is busy, and my writing energies are differently channeled, for example into academic assignments. But music remains important, and I continue to actively combat the overwhelming taste for nostalgia most middle-aged people apparently develop at some point, by regularly seeking out new recorded music.
Art is not a mirror to reflect the world, but a hammer with which to shape it. This statement is variously attributed to Bertolt Brecht, Vladimir Mayakovsky, Leon Trotsky and Karl Marx, and is probably apocryphal in all cases. The … [read more]
Finding the energy to write about the year’s favourite music doesn’t come as easily as it used to anymore. This year, I’ve literally left it to the last hours of 2014 and am now trying to cram it in like … [read more]
Sometimes, you just connect with a CD — immediately, powerfully, viscerally. That’s how I reacted when I first heard Sinéad Lohan’s No Mermaid, a 1998 disc that few people heard and fewer bought (her Wikipedia entry claims that No Mermaid … [read more]