Ai Weiwei’s Human Flow, at two and a half hours, is neither light entertainment nor what most would think of as a seasonal movie. It is currently in an extended run in two of Toronto’s theatres supporting more cerebral fare … [read more]
The following is an excerpt from the introduction to a forthcoming master’s thesis in anthropology which I am working on at the moment. This quasi-autoethnographic piece looks at why I am interested in ethics and ethnography in the context of … [read more]
As 2016 plowed on, it revealed itself as an annus horribilis. Many of the world’s temporarily dormant or subdued evils really came alive this year, and there’s no need to enumerate them here. Music lost more than a few important … [read more]
As I write this review, it seems that the world’s burning has accelerated. It’s not that it wasn’t already burning, but this moment in time has brought us, inter alia: Syria; refugees; Brexit; a coup attempt in Turkey and the unsurprising and merciless purge that followed; incessant and systemically rooted police shootings of black citizens in the US; Donald Trump; and — literally going on right now — a mall shooting in Munich where so far at least 8 people have died.
Recently, I experienced the following scene during a client meeting to review preliminary research results from the “ethnography” phase of a short service design consulting engagement: The research team, having been deeply engaged in fieldwork for several weeks, has worked … [read more]
It has become an annual tradition on this blog, a chore, and — increasingly — an unwelcome reminder of how infrequently I blog these days. Life is busy, and my writing energies are differently channeled, for example into academic assignments. But music remains important, and I continue to actively combat the overwhelming taste for nostalgia most middle-aged people apparently develop at some point, by regularly seeking out new recorded music.
Art is not a mirror to reflect the world, but a hammer with which to shape it. This statement is variously attributed to Bertolt Brecht, Vladimir Mayakovsky, Leon Trotsky and Karl Marx, and is probably apocryphal in all cases. The … [read more]
Finding the energy to write about the year’s favourite music doesn’t come as easily as it used to anymore. This year, I’ve literally left it to the last hours of 2014 and am now trying to cram it in like … [read more]