A review of the Tomasz Stanko Quartet’s Lontano (2006) Tomasz Stanko is a Polish jazz trumpeter who sounds a little like Miles Davis without anger. Lontano contains a series of thoughtful, quiet and slightly angular (maybe geometric is a better … [read more]
The Esbjörn Svensson Trio sounds like the most balanced and smartest modern ‘jazz’ piano trio of the ones I’ve heard. It’s post-everything: it’s not ironic, not ‘fusion’ in any way – it feels like a logical growth path for jazz. … [read more]
Thelonious Monk, from Library and Archives Canada via Wikimedia Commons Seen today on Wikipedia: Bassist Al McKibbon, who had known Monk for over twenty years and played on his final tour in 1971, later said: “On that tour Monk said … [read more]
Cascading, effervescent, energetic, virtuoso, surprising, accomplished. You’d need a stream of adjectives to describe how these two play together. An easier way to say it might be to think of four hands attached, somehow, to the same brain. An orchestra … [read more]
A review of Jill Barber’s Chances (2008) Jill Barber is a Halifax-based… traditional jazz singer? Swing singer? Country singer? Torch singer? Maybe “western swing,” antiquated as it sounds, is a good genre for her. I had previously heard, and loved, … [read more]
Billie Holiday changed how we hear women sing. In recorded music, she essentially redefined vocal pop music by introducing a more personal and immediate singing style. She also changed how we think about phrasing, basing hers on instrumental music rather … [read more]
I know people say “Snorah Jones.” But I like her music – I think it’s mature in a good way: music that begs to be listened to, music that’s firmly based in craft (she’s a very fine pianist) and sung … [read more]
Sometimes, the music you don’t understand is the music that touches you most deeply. I’ve never been much of a jazz listener; I’ve skirted around it for years, essentially avoiding bebop in its myriad permutations, and enjoying traditional jazz, some … [read more]