I was doing some reading about the inimitable Jon Hassell the other day (an appreciation of his mysterious and powerful music should be another post here one of these days) and came across mention of Mati Klarwein, an artist whose … [read more]
These are fun, though (I think) unrelated. Both were shot in a single take (or at least made to look like it). OK Go, This Too Shall Pass (Rube Goldberg Machine Version) – sort of strange and amazing all at … [read more]
A review of Peter Gabriel’s Scratch My Back (2010) It’s a tricky business, doing covers of well-known and well-loved songs. Perhaps not when you’re Keith Jarrett or Brad Mehldau and you can fall back on a long-established tradition of converting … [read more]
Now that the kind folks from the Vancouver Olympic committee have once again forced them down our collective throats during the closing ceremony of the 2010 Winter Olympics, I was reminded to share my theory about Nickelback. Does Nickelback warrant … [read more]
Is there a more valuable, interesting and diverse catalogue in popular music than this one? In twelve records, the Beatles changed the entire face of music several times over, imprinting their songs on our culture in a way that transcends … [read more]
A review of Arctic Monkeys’ Humbug (2009) In 2005/2006, the Arctic Monkeys were the British rock world’s most-hyped new rock ‘n’ roll sensation. Before they had ever released an album, the tornado of media opinion preceding them ensured they’d sell … [read more]
Two sepia-toned videos today from Britain’s Elbow, a favourite over the years (I liked them when they released Asleep in the Back and everyone thought they were Peter Gabriel prog-rockers). Both from The Seldom Seen Kid, one of 2008’s best … [read more]
A review of Paolo Nutini’s Sunny Side Up (2008) I’ll say it right up front: I think this is a great record. A great record that got a bum rap. It’s not that the critics didn’t (at least more or … [read more]